@article{88ed8013f2a64c46b8aa01c42fa4eaf6,
title = "What remains? A critical historiography of 1960s-70s israeli lost performance-based works",
author = "Dror Harari",
note = "Funding Information: This research was supported by the Israel Science Foundation (grant no. 555/14). I would like to extend my thanks to the artists Dov Or Ner, Micha Ullman, and Motti Mizrachi for their generosity with their time and for giving me access to their personal archives. Unless otherwise indicated, translations from the Hebrew are mine. Funding Information: Dror Harari is a Senior Lecturer at the Department of Theatre Arts, Tel Aviv University. His articles on performance theory, postmodern theatre, and Israeli performance art, have appeared in various international journals, including The Drama Review, New Theatre Quarterly, Theatre Research International, Text and Performance Quarterly, and Performance Research. His book, Self-Performance: Performance Art and the Representation of Self, was published in Hebrew by Resling Publications (2014). His current research, funded by the Israel Science Foundation, focuses on the historiography of performance art in Israel, from its origins in the 1960s and through the 1970s.",
year = "2020",
month = sep,
day = "1",
doi = "10.1017/S0040557420000289",
language = "אנגלית",
volume = "61",
pages = "372--395",
journal = "Theatre Survey",
issn = "0040-5574",
publisher = "Cambridge University Press",
number = "3",
}