Teaching critical perspectives: Analyses of professional practice in the film ladybird, ladybird

This article presents three critical analyses of social work practice as depicted in Ken Loach's 1994 film Ladybird, Ladybird. The analyses are intended to serve as a teaching tool in a course on critical perspectives in social work. The tool applies the radical, feminist and postmodern critiques of social work practice to the depiction of the practice in the film. It seeks to contribute to a better understanding of those critical approaches that have developed within the social work profession and, in particular, to emphasize the relevance of these approaches to actual practice. The article explicitly endeavors to arouse debate and reflection on practice among social worker students and to encourage self-criticism in order to further the development of anti-oppressive social work practice.