‘Suddenly a stranger comes into the room’: Interruptions in Brecht, Benjamin and Kafka

Freddie Rokem

doi:10.1080/14682761.2015.1114334

‘Suddenly a stranger comes into the room’: Interruptions in Brecht, Benjamin and Kafka

Freddie Rokem^*

^*Corresponding author for this work

Department of Theatre Arts

Research output: Contribution to journal › Article › peer-review

3 Scopus citations

Abstract

This essay presents some suggestions for a re-examination of the notion of the interruption – a central device of Bertolt Brecht’s epic theatre – as it has been reflected on and developed by Walter Benjamin. Franz Kafka is the connecting link, as Benjamin claimed that his world is a world of theater which can only be understood in terms of the gestus, a central notion in Brecht’s epic theatre and of which the interruption is an example.

Original language	English
Pages (from-to)	21-26
Number of pages	6
Journal	Studies in Theatre and Performance
Volume	36
Issue number	1
DOIs	https://doi.org/10.1080/14682761.2015.1114334
State	Published - 2 Jan 2016

Keywords

Bertolt Brecht
Franz Kafka
Walter Benjamin
interruptions

Access to Document

10.1080/14682761.2015.1114334

Cite this

@article{744d00d9f2ba4cc98cfe87557d0b5d36,

title = "{\textquoteleft}Suddenly a stranger comes into the room{\textquoteright}: Interruptions in Brecht, Benjamin and Kafka",

abstract = "This essay presents some suggestions for a re-examination of the notion of the interruption – a central device of Bertolt Brecht{\textquoteright}s epic theatre – as it has been reflected on and developed by Walter Benjamin. Franz Kafka is the connecting link, as Benjamin claimed that his world is a world of theater which can only be understood in terms of the gestus, a central notion in Brecht{\textquoteright}s epic theatre and of which the interruption is an example.",

keywords = "Bertolt Brecht, Franz Kafka, Walter Benjamin, interruptions",

author = "Freddie Rokem",

note = "Publisher Copyright: {\textcopyright} 2015 Taylor \& Francis.",

year = "2016",

month = jan,

day = "2",

doi = "10.1080/14682761.2015.1114334",

language = "אנגלית",

volume = "36",

pages = "21--26",

journal = "Studies in Theatre and Performance",

issn = "1468-2761",

publisher = "Taylor and Francis Ltd.",

number = "1",

}

TY - JOUR

T1 - ‘Suddenly a stranger comes into the room’

T2 - Interruptions in Brecht, Benjamin and Kafka

AU - Rokem, Freddie

PY - 2016/1/2

Y1 - 2016/1/2

N2 - This essay presents some suggestions for a re-examination of the notion of the interruption – a central device of Bertolt Brecht’s epic theatre – as it has been reflected on and developed by Walter Benjamin. Franz Kafka is the connecting link, as Benjamin claimed that his world is a world of theater which can only be understood in terms of the gestus, a central notion in Brecht’s epic theatre and of which the interruption is an example.

AB - This essay presents some suggestions for a re-examination of the notion of the interruption – a central device of Bertolt Brecht’s epic theatre – as it has been reflected on and developed by Walter Benjamin. Franz Kafka is the connecting link, as Benjamin claimed that his world is a world of theater which can only be understood in terms of the gestus, a central notion in Brecht’s epic theatre and of which the interruption is an example.

KW - Bertolt Brecht

KW - Franz Kafka

KW - Walter Benjamin

KW - interruptions

UR - https://www.scopus.com/pages/publications/84958893642

U2 - 10.1080/14682761.2015.1114334

DO - 10.1080/14682761.2015.1114334

M3 - ???researchoutput.researchoutputtypes.contributiontojournal.article???

AN - SCOPUS:84958893642

SN - 1468-2761

VL - 36

SP - 21

EP - 26

JO - Studies in Theatre and Performance

JF - Studies in Theatre and Performance

IS - 1

ER -

‘Suddenly a stranger comes into the room’: Interruptions in Brecht, Benjamin and Kafka

Abstract

Keywords

Access to Document

Other files and links

Fingerprint

Cite this