TY - JOUR
T1 - Shifting agencies through new media
T2 - New social statuses for female South Korean shamans
AU - Sarfati, Liora
N1 - Publisher Copyright:
© 2016 Project MUSE.
PY - 2016/3/1
Y1 - 2016/3/1
N2 - South Korean shamans (mansin) increasingly rely on new media for networking and advertising their services. They exert power and intention through their manipulation of the Internet and other mass communication media, while facilitating the expansion of these spiritual activities in South Korea and internationally, despite the lingering stigma. Historically, Korean shamanism (musok) was an orally transmitted tradition that was mastered mainly by illiterate low-ranking women within the neo-Confucian hierarchy. A growth in literacy has sparked a process of change, which has been accelerated by new media and technology. Since the 1970s, the individual agency of mansin in creating positive publicity and a positive social image for themselves has significantly increased. Evidence of this new agency is based on fieldwork among successful mansin in Seoul. Daily and ritual mansin activities, film representation of mansin, Internet home pages, and online portals of musok associations are analyzed to demonstrate how the visual and textual dimensions of the new media work jointly with other semiotic modalities to construct the image and scope of musok in contemporary South Korea and worldwide.
AB - South Korean shamans (mansin) increasingly rely on new media for networking and advertising their services. They exert power and intention through their manipulation of the Internet and other mass communication media, while facilitating the expansion of these spiritual activities in South Korea and internationally, despite the lingering stigma. Historically, Korean shamanism (musok) was an orally transmitted tradition that was mastered mainly by illiterate low-ranking women within the neo-Confucian hierarchy. A growth in literacy has sparked a process of change, which has been accelerated by new media and technology. Since the 1970s, the individual agency of mansin in creating positive publicity and a positive social image for themselves has significantly increased. Evidence of this new agency is based on fieldwork among successful mansin in Seoul. Daily and ritual mansin activities, film representation of mansin, Internet home pages, and online portals of musok associations are analyzed to demonstrate how the visual and textual dimensions of the new media work jointly with other semiotic modalities to construct the image and scope of musok in contemporary South Korea and worldwide.
UR - http://www.scopus.com/inward/record.url?scp=84971254287&partnerID=8YFLogxK
U2 - 10.1353/jks.2016.0009
DO - 10.1353/jks.2016.0009
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AN - SCOPUS:84971254287
SN - 0731-1613
VL - 21
SP - 179
EP - 211
JO - Journal of Korean Studies
JF - Journal of Korean Studies
IS - 1
ER -