Seeing Again, Seeing Anew Documentary Reenactments in Contemporary Israeli Cinema

This article examines the various forms of reenactment in contemporary Israeli documentary cinema. It argues that current documentary reenactments challenge—along the axes of nationalism, gender, class, and ethnicity—the traditional distinctions between past and present, documentary and fiction, reference and representation. They offer the possibility of bringing the past into the present, and simultaneously awarding a new aesthetic form to the historical event appearing on the screen for the first time. The reenactments give presence to the past, while at the same time showing the impossibility of returning to it in its entirety. They put into question the very borders of documentary cinema as well as raising ethical issues about the ontological status of documentary “truth.” Moreover, through reenactments, contemporary documentaries aspire to retrieve lost voices and bodies, forgotten testimonies and histories of Israeli society’s Others, and to give them new visual form so that they can find new listeners.