Rare pitch-classes are larger and stronger: Implicit absolute pitch, exposure effects, and qualia of harmonic intervals

Zohar Eitan; Moshe Shay Ben-Haim; Eran Chajut

Rare pitch-classes are larger and stronger: Implicit absolute pitch, exposure effects, and qualia of harmonic intervals

Zohar Eitan, Moshe Shay Ben-Haim, Eran Chajut

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

Original language	English
Title of host publication	Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music
Pages	275
Number of pages	1
State	Published - 2012

Keywords

Absolute pitch
Exposure effects
Emotion
Metaphor
Cross-modal

Cite this

@inproceedings{f50bda2a97b04e54b109dddaf13d36ae,

title = "Rare pitch-classes are larger and stronger: Implicit absolute pitch, exposure effects, and qualia of harmonic intervals",

keywords = "Absolute pitch, Exposure effects, Emotion, Metaphor, Cross-modal",

author = "Zohar Eitan and Ben-Haim, {Moshe Shay} and Eran Chajut",

year = "2012",

language = "אנגלית",

pages = "275",

booktitle = "Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music",

}

Rare pitch-classes are larger and stronger: Implicit absolute pitch, exposure effects, and qualia of harmonic intervals. / Eitan, Zohar; Ben-Haim, Moshe Shay; Chajut, Eran.
Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. 2012. p. 275.

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

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KW - Exposure effects

KW - Emotion

KW - Metaphor

KW - Cross-modal

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SP - 275

BT - Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music

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