Postdramatic dramaturgy

Gad Kaynar

doi:10.4324/9780203075944-80

Postdramatic dramaturgy

Gad Kaynar

Department of Theatre Arts

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Abstract

This article sets out to explore some basic tenets of postdramatic dramaturgy as theorized and practiced mainly in the German-speaking countries. It is based on interviews with some 30 dramaturgs from the German-speaking region, conducted between 2003 and 2013 in the context of two ISF (Israeli Science Foundation) researches. The emphasis on German dramaturgy rests on two foundations: a) that practical dramaturgy has been created and developed in the German-speaking region for over 250 years and has always - especially since the 1980s - served as the realm of extreme experimentation; b) that consequently the contemporary German-speaking theatre offers the optimal case study for exploring the notion and practice of postdramatic dramaturgy.1.

Original language	English
Title of host publication	The Routledge Companion to Dramaturgy
Publisher	Taylor and Francis
Pages	391-396
Number of pages	6
ISBN (Electronic)	9781135122898
ISBN (Print)	9780415658492
DOIs	https://doi.org/10.4324/9780203075944-80
State	Published - 1 Jan 2014

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Postdramatic dramaturgy

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