Abstract
Nataly Zukerman "comes out" in this autobiographical performance piece, exposing to the public eye the "invisibility" of her limp; an invisibility imposed on her by a society that insists on downplaying her disability in an attempt to normalize her. Her "other body" is set against not only the universally fabricated image of the privileged able body but also, quite specifically, the idealized, physically fit, heroic Israeli body.
| Original language | English |
|---|---|
| Pages (from-to) | 157-164 |
| Number of pages | 8 |
| Journal | TDR - The Drama Review - A Journal of Performance Studies |
| Volume | 60 |
| Issue number | 1 |
| DOIs | |
| State | Published - 1 Mar 2016 |
Fingerprint
Dive into the research topics of 'Performing the Un-Chosen Israeli Body: Nataly Zukerman's Haguf Ha'acher'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver