TY - JOUR
T1 - Love, story, law - From the scarlet letter to freedom and privacy
AU - Cohen, Nili
N1 - Publisher Copyright:
© 2016 by The Cardozo School of Law of Yeshiva University. All rights reserved.
PY - 2016
Y1 - 2016
N2 - What are the limits of artistic freedom? How beholden is literature to truth? How confined is literature by truth? What should be the fate of a book relating the love affair between an older married man and a young woman, with close accuracy, so much so that the young woman could be identified by distant acquaintances despite the pseudonyms? An Israeli Supreme Court case rendered a few years ago ruled that the publication of the book would harshly violate the woman's privacy, while non-publication would moderately injure the author's artistic freedom. Hence the publication of the book was prohibited and the author was liable to compensate his former lover in the sum of NIS200,000. The triangle of Love-Story-Law is obviously not a unique Israeli matter. Similar stories raise universal hot debates. The Israeli case took an extreme stand compared with other legal systems. The statement "There are norms for which it is worth even losing a few 'good books'" raises concerns about the enforcement of the right to privacy as an oblique way of imposing censorship on grounds of morality. The controversial judgment begs the question of its potential value as a precedent. Alternative balancing between the competing rights, some binary, some distributive, which have been adopted in German and American case law, reflect normative decisions along the axis through freedom of action, artistic freedom, privacy and conservatism. But apart from the question of balancing conflicting rights, our love story reveals a whole set of changing values which will be historically scrutinized, starting from Nathaniel Hawthorne's story The Scarlet Letter. Both stories reflect changing normative, cultural and legal perceptions of the freedom to love, and of the power to control the exposure of love in public. The fate in life and literature of women-protagonists of intimate stories of this kind exhibits a history of a reversal of social-legal perceptions. Policing of personal intimacy gradually gives way to a loosening of sexual fetters and more freedom. At the same time control of publication on the public level yields to lifting the ban on circulation of obscene matter and entrenchment of practically unlimited freedom of expression. State responsibility for policing of such publications gives way to the individual's bearing the burden of preventing publication of matters that might harm one's dignity, reputation and privacy. The courthouse that was once open to all, even for hearings on intimate family details, now.
AB - What are the limits of artistic freedom? How beholden is literature to truth? How confined is literature by truth? What should be the fate of a book relating the love affair between an older married man and a young woman, with close accuracy, so much so that the young woman could be identified by distant acquaintances despite the pseudonyms? An Israeli Supreme Court case rendered a few years ago ruled that the publication of the book would harshly violate the woman's privacy, while non-publication would moderately injure the author's artistic freedom. Hence the publication of the book was prohibited and the author was liable to compensate his former lover in the sum of NIS200,000. The triangle of Love-Story-Law is obviously not a unique Israeli matter. Similar stories raise universal hot debates. The Israeli case took an extreme stand compared with other legal systems. The statement "There are norms for which it is worth even losing a few 'good books'" raises concerns about the enforcement of the right to privacy as an oblique way of imposing censorship on grounds of morality. The controversial judgment begs the question of its potential value as a precedent. Alternative balancing between the competing rights, some binary, some distributive, which have been adopted in German and American case law, reflect normative decisions along the axis through freedom of action, artistic freedom, privacy and conservatism. But apart from the question of balancing conflicting rights, our love story reveals a whole set of changing values which will be historically scrutinized, starting from Nathaniel Hawthorne's story The Scarlet Letter. Both stories reflect changing normative, cultural and legal perceptions of the freedom to love, and of the power to control the exposure of love in public. The fate in life and literature of women-protagonists of intimate stories of this kind exhibits a history of a reversal of social-legal perceptions. Policing of personal intimacy gradually gives way to a loosening of sexual fetters and more freedom. At the same time control of publication on the public level yields to lifting the ban on circulation of obscene matter and entrenchment of practically unlimited freedom of expression. State responsibility for policing of such publications gives way to the individual's bearing the burden of preventing publication of matters that might harm one's dignity, reputation and privacy. The courthouse that was once open to all, even for hearings on intimate family details, now.
KW - Artistic freedom
KW - Balancing conflicting rights
KW - Censorship
KW - Changing values
KW - Morality and its legal regulation
KW - Nathaniel hawthorne
KW - Open and closed courts' doors
KW - Platonic perception of art
KW - Privacy
KW - Privatization of censorship
KW - The scarlet letter
KW - Women's liberty
UR - http://www.scopus.com/inward/record.url?scp=84979780680&partnerID=8YFLogxK
U2 - 10.1080/1535685X.2016.1186348
DO - 10.1080/1535685X.2016.1186348
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AN - SCOPUS:84979780680
SN - 1535-685X
VL - 28
SP - 209
EP - 231
JO - Law and Literature
JF - Law and Literature
IS - 2
ER -