TY - JOUR
T1 - "Language as calculus" in Beckett's writing
T2 - A new perspective on Beckett's conception of language
AU - Degani-Raz, Irit
PY - 2014/6
Y1 - 2014/6
N2 - The issue of the conception of language in Beckett's works has given rise to many studies. The conceptual schemes that scholars have used to explicate Beckett's view on language range from modern language theories to post-structuralist ones, and have contributed to locating Beckett on the twentieth-century's cultural horizon. In this study I suggest a new perspective on Beckett's conception of language by employing a perspective on the historical genesis of possible-worlds semantics, suggested by the philosopher Jaakko Hintikka. The historical background of possible worlds semantics is tightly connected, according to Hintikka, to a gradual switch from one overall way of looking at language and its logic to a competing view. He calls the former the conception of "language as the universal medium" and the latter the conception of "language as calculus." I contend that although in his writings Beckett seems to subscribe to some version of the first position of language, various aspects of his dramatic works also appear implicitly to reflect some intuitive version of the competing idea. It is his conception of language as calculus - I argue - that offered Beckett the possibility of elaborating strategies by which to escape the "trap" of language.
AB - The issue of the conception of language in Beckett's works has given rise to many studies. The conceptual schemes that scholars have used to explicate Beckett's view on language range from modern language theories to post-structuralist ones, and have contributed to locating Beckett on the twentieth-century's cultural horizon. In this study I suggest a new perspective on Beckett's conception of language by employing a perspective on the historical genesis of possible-worlds semantics, suggested by the philosopher Jaakko Hintikka. The historical background of possible worlds semantics is tightly connected, according to Hintikka, to a gradual switch from one overall way of looking at language and its logic to a competing view. He calls the former the conception of "language as the universal medium" and the latter the conception of "language as calculus." I contend that although in his writings Beckett seems to subscribe to some version of the first position of language, various aspects of his dramatic works also appear implicitly to reflect some intuitive version of the competing idea. It is his conception of language as calculus - I argue - that offered Beckett the possibility of elaborating strategies by which to escape the "trap" of language.
KW - "language as calculus"
KW - "language as the universal medium"
KW - Beckett
KW - Not I
KW - Possible worlds
KW - Realism
UR - http://www.scopus.com/inward/record.url?scp=84902664279&partnerID=8YFLogxK
U2 - 10.1515/sem-2014-0010
DO - 10.1515/sem-2014-0010
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AN - SCOPUS:84902664279
SN - 0037-1998
VL - 200
SP - 85
EP - 101
JO - Semiotica
JF - Semiotica
ER -