TY - JOUR
T1 - Ethical dilemmas of minority creative workers in the cultural industries
T2 - Palestinian actors in Israeli films and dramas
AU - Jamal, Amal
AU - Lavie, Noa
N1 - Publisher Copyright:
© 2022, The Author(s), under exclusive licence to Springer Nature Limited.
PY - 2023/12
Y1 - 2023/12
N2 - This article explores the dilemmas and challenges of minority creative workers in the cultural industries in settler-colonial/postcolonial contexts. More specifically, it sheds light on how minority actors perceive their involvement at such a sensitive and precarious juncture. To that end, it examines the impact of the roles these actors play and the genres in which they are typecast, experiencing the intersection between their national identity, professional interests and the hegemonic narratives in films and TV series. The settler-colonial/postcolonial context allows us to ascertain to what extent and how this context manifests itself in the cultural industries and impacts the challenges and burdens that creative workers endure. We utilize the unique Israeli-Palestinian reality in which cultural products, such as films and series, are important tools of symbolic domination and legitimacy, in order to uncover important but hidden aspects of the complex systemic violence prevalent in the cultural industries. Thus, we provide a unique prism into the human ramifications of the audiovisual industries in conflict zones and allow a glimpse into the symbolic construction and dissemination of hegemonic narratives and their use for global branding.
AB - This article explores the dilemmas and challenges of minority creative workers in the cultural industries in settler-colonial/postcolonial contexts. More specifically, it sheds light on how minority actors perceive their involvement at such a sensitive and precarious juncture. To that end, it examines the impact of the roles these actors play and the genres in which they are typecast, experiencing the intersection between their national identity, professional interests and the hegemonic narratives in films and TV series. The settler-colonial/postcolonial context allows us to ascertain to what extent and how this context manifests itself in the cultural industries and impacts the challenges and burdens that creative workers endure. We utilize the unique Israeli-Palestinian reality in which cultural products, such as films and series, are important tools of symbolic domination and legitimacy, in order to uncover important but hidden aspects of the complex systemic violence prevalent in the cultural industries. Thus, we provide a unique prism into the human ramifications of the audiovisual industries in conflict zones and allow a glimpse into the symbolic construction and dissemination of hegemonic narratives and their use for global branding.
KW - Creative workers
KW - Cultural industries
KW - Exploitation
KW - Israel
KW - Palestine
KW - Systemic violence
UR - http://www.scopus.com/inward/record.url?scp=85138915049&partnerID=8YFLogxK
U2 - 10.1057/s41290-022-00166-1
DO - 10.1057/s41290-022-00166-1
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AN - SCOPUS:85138915049
SN - 2049-7113
VL - 11
SP - 459
EP - 479
JO - American Journal of Cultural Sociology
JF - American Journal of Cultural Sociology
IS - 4
ER -