Documentary directors and their protagonists: A transferential/countertransferential relationship?: Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995)

Emanuel Berman; Timna Rosenheimer; Michal Aviad

doi:10.4324/9780203013915

Documentary directors and their protagonists: A transferential/countertransferential relationship?: Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995)

Emanuel Berman^*
, Timna Rosenheimer
, Michal Aviad

^*Corresponding author for this work

The Steve Tisch School of Film and Television

Israel Psychoanalytic Society
University of Haifa
New York University

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

2 Scopus citations

Original language	English
Title of host publication	The Couch and the Silver Screen
Subtitle of host publication	Psychoanalytic Reflections on European Cinema
Publisher	Routledge
Pages	213-231
Number of pages	19
ISBN (Print)	0203357205, 9780203013915
DOIs	https://doi.org/10.4324/9780203013915
State	Published - 29 May 2003

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10.4324/9780203013915

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Berman, E., Rosenheimer, T., & Aviad, M. (2003). Documentary directors and their protagonists: A transferential/countertransferential relationship?: Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995). In The Couch and the Silver Screen: Psychoanalytic Reflections on European Cinema (pp. 213-231). Routledge. https://doi.org/10.4324/9780203013915

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Documentary directors and their protagonists: A transferential/countertransferential relationship?: Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995). / Berman, Emanuel; Rosenheimer, Timna; Aviad, Michal.
The Couch and the Silver Screen: Psychoanalytic Reflections on European Cinema. Routledge, 2003. p. 213-231.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

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Documentary directors and their protagonists: A transferential/countertransferential relationship?: Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995)

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