Abstract
This essay examines the recent shift in the perception of literalism in architecture as a result of the advent of digital media and the emergence of digital design processes. Whereas pre-digital literalism in art and architecture focused on the object and on space respectively, digital literalism is based on data transliteration and the design processes themselves. Referring to theoretical discourses that frame literal expressions as non-representational, non-metaphorical and non-analogical utterances, the essay delves into the ways in which data-based expressions become literal. The ability to digitally transliterate data and have it articulated in several (virtual or physical) media enables the creation of multiple expressions of the same data that are literal with respect to each other. The essay outlines these transformations and argues that they reflect significant changes in architectural design processes and their literalisation.
Original language | English |
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Pages (from-to) | 43-58 |
Number of pages | 16 |
Journal | Footprint (1875-1490) |
Issue number | 15 |
DOIs | |
State | Published - 1 Sep 2014 |
Keywords
- Oosterhuis, Kas
- Architectural designs
- Liberalism
- Fabrication (Manufacturing)
- Three-dimensional imaging
- Rapid prototyping