TY - JOUR
T1 - Curator Yona Fischer and the transition from object to performance in Israeli art of the 1960s–1970s
AU - Harari, Dror
N1 - Publisher Copyright:
© 2018 National Communication Association.
PY - 2017/10/2
Y1 - 2017/10/2
N2 - Yona Fischer served as the curator of Israeli art in the Israel Museum from 1965 until 1990. This article traces the evolution of performance sensibility in his curatorial practice. It contends that his innovative curatorship allowed for performative modes of art to infiltrate the conservative sphere of the Israeli museal institution, replacing its “archival” logic with that of a “repertoire” of embodied praxis. It asserts that Fischer was not only pivotal in strengthening the performative turn in Israeli art in the 1960s–1970s but, also, was critical of the object-oriented policy of the museum, which validated Israel’s national meta-narrative.
AB - Yona Fischer served as the curator of Israeli art in the Israel Museum from 1965 until 1990. This article traces the evolution of performance sensibility in his curatorial practice. It contends that his innovative curatorship allowed for performative modes of art to infiltrate the conservative sphere of the Israeli museal institution, replacing its “archival” logic with that of a “repertoire” of embodied praxis. It asserts that Fischer was not only pivotal in strengthening the performative turn in Israeli art in the 1960s–1970s but, also, was critical of the object-oriented policy of the museum, which validated Israel’s national meta-narrative.
KW - Performance art
KW - curator
KW - museum
KW - performative turn
KW - repertoire
UR - http://www.scopus.com/inward/record.url?scp=85041427933&partnerID=8YFLogxK
U2 - 10.1080/10462937.2017.1406612
DO - 10.1080/10462937.2017.1406612
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AN - SCOPUS:85041427933
VL - 37
SP - 220
EP - 238
JO - Text and Performance Quarterly
JF - Text and Performance Quarterly
SN - 1046-2937
IS - 3-4
ER -