@inbook{2158ffdd8cae4d2999a39c5784e27121,
title = "Centre and Periphery in Roman-Byzantine Funerary Wall Paintings in Israel",
abstract = "Ces diff{\'e}rences de style des peintures fun{\'e}raires sont analys{\'e}es dans cet article {\`a} travers trois motifs repr{\'e}sentatifs que nous avons privil{\'e}gi{\'e}s: le paon, pour la faune, la vigne pour la flore, et la femme, (commanditaire du tombeau) comme incarnation des {\^e}tres humains. In the Roman funerary wall paintings discovered in Israel, several stylistic trends can be clearly discerned. Whereas the paintings found in the well-established Hellenistic centres reveal highly sophisticated pictorial programs and a free and almost “impressionistic” style, which is in accordance with the then prevalent style in other leading centres, in the periphery both the style and the",
author = "Talila Michaeli",
year = "2014",
language = "צרפתית",
isbn = "9783700176589",
series = "Akten des XI. Internationalen Kolloquiums der AIPMA, 13.-17. September 2010",
publisher = "The Austrian Academy of Sciences Press",
pages = "377--384",
editor = "Norbert Zimmermann",
booktitle = "Antike Malerei zwischen Lokalstil und Zeitstil",
address = "אוסטריה",
}