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Affective Authenticity
Ofer Gazit
, Nili Belkind
Buchmann-Mehta School of Music
Research output
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peer-review
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Keyphrases
Competing Demands
100%
Musicians
100%
African Migrants
100%
United States
50%
Africa
50%
South Africa
50%
South African
50%
Television Show
50%
Singer
50%
African American
50%
Entrenchment
50%
Apartheid
50%
Hymns
50%
Source Analysis
50%
Archival Sources
50%
Popular music
50%
African Politics
50%
Pan-African
50%
Soundtrack
50%
Musical Performance
50%
Decolonization
50%
Yoruba
50%
Civil Rights Movement
50%
African music
50%
Music Critics
50%
Musical Collaboration
50%
American musical
50%
African Aesthetics
50%
Musical Analysis
50%
Arts and Humanities
Affective
100%
Esthetics
75%
Discourse
25%
Sound
25%
Rhythm
25%
1960s
25%
USA
25%
Hymn
25%
Republic of South Africa
25%
1970s
25%
Archival Sources
25%
Popular Music
25%
Entrenchment
25%
Decolonization
25%
Civil Rights Movement
25%
Musical Performances
25%
music critic
25%
Soundtrack
25%
American Stage
25%
African Music
25%
musical analysis
25%