当代中国艺术与西方理论: 好客的问题

Translated title of the contribution: Contemporary Chinese Art and Western Theory: The Question of Hospitality

Hagi Kenaan*

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

Abstract

The paper takes a philosophical instead of a historical perspective to look at contemporary Chinese art,concerned with the relationship between contemporary Chinese art and“Western”theory. In the attempt to articulate the relationship between contemporary Chinese art and“Western”theory,the paper proposes“the question of hospitality”as its approach to the issue,asking who exactly the host and the guest are and what kind of dynamics is suggested by a relationship of hospitality. It begins by proposing a brief sketch of a philosophical theme or dilemma that is supposed to be crucial for the development of“theory”in the 1980 and reflects on its relationship to developments in contemporary Chinese art. The paper maintains that the“contemporary” implies a new position,a new orientation in relation to the circumstances and events of the present.

Translated title of the contributionContemporary Chinese Art and Western Theory: The Question of Hospitality
Original languageEnglish
Pages (from-to)7-16
Number of pages10
JournalTheoretical Studies in Literature and Art
Volume35
Issue number2
StatePublished - Mar 2015

Keywords

  • Western theory
  • contemporary Chinese art
  • hospitality
  • subjectivity
  • the Other
  • the contemporary

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