Abstract
Housing one of the world's greatest collections of art and antiquities, the Israel Museum poses for its own complex portrait in this elegant observational
documentary, revealing its central role in the complicated history of the nation.
Sitting high on the brow of a Jerusalem hill directly opposite the Knesset, the
sprawling institution—now more than half a century old—contains nearly half a million objects, from the Dead Sea Scrolls to Crusader armor to masterpieces by Rembrandt and Marc Chagall. A less ambitious film would present a hit parade of the museum’s contents. Instead, The Museum is wisely constructed as a set of loose encounters with its human inhabitants.
We eavesdrop on the curators, museum guards, archaeological conservators,
visiting schoolchildren, and even the resident rabbi, who together form a
kaleidoscopic picture of the way art, history and national destiny intersect in
the galleries. Director Ran Tal (Children of the Sun), while showcasing the deep artistic and educational values that underlie the museum’s work, also
gently exposes its ideological fault lines: we watch an Army docent use the
museum’s archaeology to indoctrinate her trainees, while Arab and Jewish curators wrestle with the moral implications of displaying Palestinian artifacts.
Through it all, the Israel Museum emerges as a shining example of a nation’s
highest aspirations for itself.
documentary, revealing its central role in the complicated history of the nation.
Sitting high on the brow of a Jerusalem hill directly opposite the Knesset, the
sprawling institution—now more than half a century old—contains nearly half a million objects, from the Dead Sea Scrolls to Crusader armor to masterpieces by Rembrandt and Marc Chagall. A less ambitious film would present a hit parade of the museum’s contents. Instead, The Museum is wisely constructed as a set of loose encounters with its human inhabitants.
We eavesdrop on the curators, museum guards, archaeological conservators,
visiting schoolchildren, and even the resident rabbi, who together form a
kaleidoscopic picture of the way art, history and national destiny intersect in
the galleries. Director Ran Tal (Children of the Sun), while showcasing the deep artistic and educational values that underlie the museum’s work, also
gently exposes its ideological fault lines: we watch an Army docent use the
museum’s archaeology to indoctrinate her trainees, while Arab and Jewish curators wrestle with the moral implications of displaying Palestinian artifacts.
Through it all, the Israel Museum emerges as a shining example of a nation’s
highest aspirations for itself.
Translated title of the contribution | The Museum |
---|---|
Original language | Hebrew |
Publisher | Lama Films |
Media of output | Film |
State | Published - 2017 |
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-
Toronto Jewish Film Festival - David A. Stein Memorial Award
Tal, R. (Recipient), May 2018
Prize: Honorary award