Research output per year
Research output per year
Search results
-
2008
Science and the musical imagination from the late middle ages to the early modern period
Tanay, D., 1 Jan 2008, Thinking Impossibilities: The Intellectual Legacy of Amos Funkenstein. University of Toronto Press, p. 112-142 31 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
-
2007
NATURAL LANGUAGE, ARTIFICIAL LANGUAGE AND THE REPRESENTATION OF TIME IN MEDIEVAL MUSIC
Tanay, D., 1 Jan 2007, Notational Knowledge: Developmental and Historical Perspectives. Brill, p. 45-64 20 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
1 Scopus citations -
2006
The Transition from Mimetic to Non-Mimetic Music in the Late Sixteenth Century
Tanay, D., 2006, Pictorial languages and their meanings: Liber Amicorum in honor of Nurith Kenaan-Kedar. Verzar, C. B. & Fishhof, G. (eds.). Tel-Aviv: Tel-Aviv University, the Yolanda and David Katz Faculty of the Arts, p. 53-60 8 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
-
1998
"Nos faysoms contre Nature ...": Fourteenth-Century Sophismata and the Musical Avant Garde
Tanay, D., Jan 1998, In: Journal of the History of Ideas. 59, 1, p. 29-51 23 p.Research output: Contribution to journal › Article › peer-review
1 Scopus citations -
1996
The image of music and the bodies of knowledge in the late middle ages: Rhythmic procedures as cultural representations
Tanay, D., 1996, In: Science in Context. 9, 2, p. 121-136 16 p.Research output: Contribution to journal › Article › peer-review
1 Scopus citations